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"Very nice Posters. The quality is amazing and we received it very quickly !"
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"A shop to visit absolutely. Huge selection of posters. We spent more than an hour there !"
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"Perfect to find gift. Price are very good. An they can frame and pack it on site"
About the Artist
Charles Goy gives Lesbesse Crépe Ninette a brisk modern identity in 1928, turning an advertising poster for a textile brand into a piece of collectible vintage art. The name stays visible, but the real task is visual persuasion: to make fabric feel fresh, desirable, and unmistakably modern. For anyone looking for a Charles Goy art print or a French advertising poster from the late 1920s, this work preserves a commercial message with the confidence of a finished graphic statement.
The Artwork
The poster serves Lesbesse Crépe Ninette by presenting the product as something light, elegant, and ready for fashionable use. In a shop setting, that mattered: a crêpe textile had to suggest dressmaking possibilities before a customer ever touched the cloth. Goy’s design turns the brand name into a memorable badge of modern commerce, the kind of vintage print that once guided buying decisions and now carries the history of French home decor, fashion, and retail display in a single image.
Style & Characteristics
Blue birds and cream negative space create the whole visual rhythm of this vertical poster, with each silhouette cut as a flat, confident shape. The flock overlaps so densely that individual wings, beaks, and tails become part of a larger pattern, almost like a textile motif spread across the page. A small label in the upper right corner anchors the design while the repeating bird forms keep the surface in motion. As a minimalist bird poster, it uses strong contrast and compact shapes to give the fine art print a distinctly graphic presence.
In Interior Design
In a dining room with pale walls, this vintage poster would bring a steady pulse of blue above a simple wooden sideboard. Its cream field keeps the image bright, while the bird forms add movement without crowding the room. Framed as wall art, it works especially well where a single vertical print can hold attention and soften clean-lined furniture. The result is a piece of interior decoration that brings 1920s French graphic design into everyday home decor with an easy, readable presence.